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The song features Sherry, known for his stints on Aamir Liaquat’s shows, Babar Sheikh on bass, Omran Shafique (Momo) on guitars, Sikandar Mufti on the djembe and Rizwanullah Khan on slide guitar and banjo. Sherry’s hard-hitting vocals and the simplicity of the arrangement together reflect on the turbulence this soil has witnessed in recent times. Makki Madni is neither a naat nor a qawwali – it is a magical spell which for a good six minutes keeps you enchanted and takes you on a ‘secret journey’, as Sting would put it. Had it not been for Mai Dhai’s simplicity, Atif would not have been able to shun the commercial element in his works for the seven minutes. In this one-of-the-most-well-thought-out products of Coke Studio 8, Atif seems at peace with rediscovering his older self that sang because his calling forced him to.
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Kadi Aao Ni – Atif Aslam, Mai Dhai (Coke Studio) And his self-praise is not an overstatement as Javed Bashir’s raw vocals mixed with a composition that gets more dynamic with time leave a lasting impact on the listener.ģ. And that song is Talabgaar.” These were Bilal Maqsood’s words when he spoke about the song during Moor’s press launch. Although I have made the track myself, written it with Abba and mixed it in the studio for almost a month, even now when I hear the song in the car I feel emotional. “There is one track that whenever I listen to I start crying. While a comparison with the original and an evaluation based on the aesthetics of qawwali are both unfair and unyielding, the attempt certainly does not make the mighty Sabris turn in their graves. Tajdar e Haram – Atif Aslam (Coke Studio)Ītif opened Coke Studio 8’s first episode with the qawwali that went on to become the highlight of the season. Replete with the clap-along-sing-along chorus break, the number found favour both live and in the car.ĥ. However, the single’s Begum Gul Bakaoli Sarfarosh version is a little more Noori than the version released separately with a video that may be Noori’s most ambitious project yet. It is a strange diversion from the live, earthy sound of their earlier records. No one, us the least, expected the electronica-infused, dub-step sound of Aik Tha Badshah, which comes as a sonic surprise. It has been long since the last time we heard such cleverly-crafted lyrics coupled with an on-point arrangement that do justice to their hype. With a plethora of covers and revisits already on the assembly line, Ali’s Axl Rose produced sheer magic with an original that leaves little room for scrutiny. It is safe to say Ali Zafar saved Coke Studio 8 for Strings. That time of year: Fans flock to Sufi music extravaganza
#Amjid malang rabab 2015 download
It is one song in the upcoming Ho Mann Jahaan’s soundtrack that will make many look for a working download link. Ghar Nari is brilliant and exceptionally uplifting.
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It gives you little time to ease into the composition and plunges straight into the Khusruvian classic. The product of Fareed Ayaz and Co is authentic and draws from the specifications of high art. Ghar Nari – Fareed Ayaz and Abu Muhammad (Ho Mann Jahaan) The music is not only reminiscent of String’s coming-of-age record Koi Aanay Wala Hai (2008), but also belts out nostalgia of popular Pakistan music in days of yore, when the playing was crisp, the Urdu was right and the product was honest.Ĩ. While Nabeel’s voice quality and Sajid’s soulful reciprocation on the flute warm the heart, the string section’s riffs provide the long overdue goosebumps. The video is filmed through a selfie stick while Asrar and his band mates are en route to a concert location.ĩ. Bewajah – Nabeel Shaukat Ali (Coke Studio)Īn opus of Nabeel Shaukat Ali’s artistic prowess, Bewajah is one for the crowds to hum to. Mast Hua is a refreshing track with extremely pleasant lyrics and melody. We ran a poll on our website and our readers declared Atif Aslam’s Tajdar-e-Haram from Coke Studio as the song of 2015.īreath of fresh air: Enjoying the khumar of ‘Tamasha’Īsrar has rightfully cemented his identity as the most promising musician to come out of Pakistan in the recent past. Here is a list of the top 10 tracks that made it big this year, with Khumariyaan’s Tamasha topping The Express Tribune’s list. These 12 months were perhaps the busiest for the industry in hindsight. Upcoming acts like Khumariyaan, Malang Party also gained a foothold and most importantly, the dream of artists making a living out of their recorded music saw the light of the day with the emergence of online streaming platforms like Patari and Taazi. Several albums were released celebrated acts like Noori, Call and Mizmar made comebacks while Coke Studio completed another season. The year 2015 was quite an eventful year for Pakistani music.